THE CHERRY ORCHARD (Benchtours)
“I cannot fault the delicacy of Ennis’s performance.” The Sunday Herald
“It is a powerful performance carefully executed to maximum effect.” Dundee Courier
“Stewart Ennis turns in a sterling, or should that be rouble, performance.” The Metro
“In Lopahkin , Mr Ennis beautifully strikes the balance between the traits of humanity and hardly believing the fruits of his peasant labour.” The Daily Mail
THE CAUCASIAN CHALK CIRCLE (Benchtours)
“Stewart Ennis plays Azdak with astonishing skill – he invests the part with a rough good humour that breathes new life into the play’s internal debates” Edinburgh Evening News
“…it is the magnificent, flawed heroism of Stewart Ennis’s Azdak which is outstanding in a universally accomplished company” The Sunday Herald
ROBERT BURNS FOR BREAKFAST (Scottish International)
“The combination of the bawdy humour and Ennis’ superb acting and rapport with the audience makes this serve as a highly enjoyable crash course in Burns.” Three Weeks
“What a powerful and delightful performer. An unforgettable show!” Hamburg Springer
“This is a thoroughly entertaining, in places rib-achingly so, romp. Ennis’s irreverence may not get him invited to many Burns Suppers come January, but if there’s any justice, by then his Rabbie should be thriving in his own universe.” The Herald
ROBERT BURNS’ CELTIC COMPLEX: Writer and Performer
“Stewart Ennis has discombobulated Burns country before with his outrageously funny portrayal…Here he’s even more surreal… Ennis provides just about as much fun as you can have at lunchtime fully clothed – even if Rabbie’s not.” The Times
“…a virtuoso performance, shameless, outrageous and irrepressible.” The Scotsman
A PARCEL O’ BURNS (Scottish International)
“Pawky, funny and fabulous entertainment. The best value one man show – and the best bottom – on the fringe. I was sorry when it finished.” Janice Forsyth BBC Radio Scotland
RANTERS, LOVERS AND CHANTERS (Writer & Performer)
“Ennis makes a splendidly gallus, insightful Rabbie with a sharply written script and some equally sharp ad-libs.” The Herald
HAROUN AND THE SEA OF STORIES (Benchtours)
“Stewart Ennis’s wonderful portrayal of the eccentric bumbling storyteller Rashid, owes much to those Scottish icons, Ivor Cutler and Alisdair Gray.” The Scottish Daily Express
“Stewart Ennis is superb as Rashid the Storyteller (Bearing an uncanny resemblance to Rushdie himself).” The Sunday Times
THE DEATH OF DON QUIXOTE (Benchtours)
“Full houses are now savouring the energetic performance of Stewart Ennis (a cross between Salvador Dali and Billy Connolly!) as the rather too dashing, athletic and enamouring knight.” The Irish Independent
“Stewart Ennis artfully plays Quixote with absolute conviction and an engaging blend of saintly dignity and swashbuckling lunacy.” The Irish Times
THE DARK ROOM: writer & performer
“In the middle of a European war whose course may finally be determined by the impact of media images on public opinion, all the questions raised in the script have a horrifying immediacy. Stewart Ennis gives a well-crafted and heartfelt performance in a dank Arches tunnel draped with photographic junk that makes a perfect abandoned dark-room space and a script is studded with self-consciously clever aphorisms.” The Scotsman
“This look at life through the lens of a contemporary war photographer seems chillingly familiar. Ennis’s performance is assured and at times compelling… The one-man mimicking of a swinging photographer/model scene poached from Antonioni’s Blow Up is inspired and hilarious.” The Times
“A Scottish photographer reflects on the frostiness of his relationship with his parents, on the dehumanising effect of seeing the world through a lens, and on the skills, values and excitement involved in war photography. These are all strong strands, fluidly performed by Ennis in fine melodic form. An intriguing piece of theatre.” The Herald
MISERY (Rapture Theatre)
“Ennis shines as the happily drug-high amputee author on his survival fight back.” The Stage
“His mind unravelling, his arrogance overcome by hallucination, Ennis provides the play’s funniest, most compelling moments.” The Scotsman
THE SELFISH GIANT (The Arches)
“The hypnotic Stewart Ennis narrated the story in a manner so understated that one felt like checking his pupils for evidence of tranquillisers.” The Independent
THE LITTLE MERMAID (The Arches)
“…it’s Stewart Ennis’s performance as the Narrator that sets the tone and keeps the show moving gently and reassuringly… The Scotsman
Stewart Ennis 